supported by 8 fans who also own “The Wake Of Icons”
WOW! This album strikes like a thunderclap and throws you into a churning hailstorm interspersed with glorious color as the light refracts from the crystals. A howling, turbulent, thrashing sea and pelting rainy gale upon the rocky mountainside. Enslaved also maintain their crown of “progressive:” not wanky noodly noodly stuff, but thought-provoking, unexpected, and COLORFUL shifts and turns of rhythm, chord, key, and mood. Very Rush-like. A true privilege to see them at Fire in the Mountains. pinkytheent
supported by 8 fans who also own “The Wake Of Icons”
Strangely lo-fi with respect to other Kauan albums, and often at complete odds with its predecessor, Kaiho (which only comprised clean vocals). To appreciate Ice Fleet, I approach it like a release from another band – an unknown and mysterious one. Alice M.